Events

 

Good Friday - closed

Saturday 8. April - open 12-17

Easter Sunday - closed

The museum is closed on Mondays

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During the ceramic workshop kids and their families will have the opportunity to make imprints of natural objects, like rocks, straws, and branches, in clay. They will also make their own piece of tableware and learn simple techniques of pressing the clay into the plaster moulds.
The workshop will be taught by Ada Stańczak, ceramic designer in residency in the Design Museum.
The museum provides materials, tools and firing of the pieces. Participants are encouraged to collect and bring objects from nature to make imprints in clay.
After the workshop, the works are fired and glazed. Ready items can be collected at the museum after around 3 weeks.

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Ethnologist Sigrún Hanna Þorgrímsdóttir will give the talk Home is a slow event at the Design Museum, Sunday, March 19 at 1 p.m. Admission to the lecture and the exhibition The Design Museum as a Home is free.

The subject of the lecture is domestic customs and contemporary material culture. In the essay, the home is examined from an ethnographic perspective, in a holistic context and as an interwoven process of different tangible and intangible elements. Everyday aesthetics, sensory impressions and homely atmosphere will be touched upon, along with the constant struggle with the chaos that takes place within the walls of the home from day to day.

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Drawing-workshop at the Studio of Einar Þorsteinn, designer and mathematician is fun for the whole family. Auður Ösp will lead the workshop which is open to everyone and free of charge

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Two designers help kids and families to imagine how designers and inventors think when making furniture for an imaginary home. Free of charge.

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The designers Auður Ösp Guðmundsdóttir and Kristín María Sigþórsdóttir help kids and families to imagine how designers and inventors think when making furniture for an imaginary home.

Free of charge.

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Designers Auður Ösp Guðmundsdóttir and Kristín María Sigþórsdóttir help kids and families to imagine how designers and inventors think when making furniture for an imaginary home. Free of charge.


 

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On Museum Night, Friday 3 February, a new permanent exhibition opens in the Design Museum of Iceland.
At the exhibition The Design Museum as a Home you can find around 200 examples of Icelandic design, while the collection of the Design Museum of Iceland totals around 5,000 items from the year 1900 to the present day.
The exhibition is set up as a basic picture of a home, but like in people's homes, you can see things from different periods side by side. Furniture, tableware, clothing, books and textiles from different eras come together and shed light on a fraction of what Icelandic designers and craftsmen have created.

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Ada Stańczak is a ceramic designer and material researcher based in Reykjavík. She received her education in cultural studies at the University of Warsaw and in ceramics at The Reykjavík School of Visual Arts. Moving to Iceland sparked her interest in exploring the notion of belonging to a particular land by working with materials like clay, soil, lava and stone – elements taken from her new domain.
During her residency at the Museum of Design and Applied Art she will explore the design potential of geological material as a source of pigment in ceramics. Visitors of the museum will be invited to follow the processes of material research, product development and small-scale manufacturing of ceramic products from start to finish.
Visitors can also purchase work from the designer.
Additionally, various ceramic workshops will be held within the residency.

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Opening
FÍT in collaboration with Hönnunarsafn Íslands introduce The Best Book Design from all over the World.
The Stiftung Buchkunst - a German book design association - has awarded the prize every year since 1963. This time books from 30 countries were submitted. Fourteen books received prizes and they can all be viewed at the exhibition.
This year, the great publication On the Necessity of Gardening. An ABC of Art, Botany and Cultivation« from The Netherlands won the highest prize, the GOLDENE LETTER. The book was designed by Bart de Baets.

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